WomenMakeItHappen,Thomson Reuters and Microsoft

About These Organisations

Thomson Reuters Foundation

traffic-light-stopThomson Reuters Foundation stands for free independent journalism, human rights, women’s empowerment and the rule of law. Leveraging the skills, values and expertise of Thomson Reuters, the Foundation plays a leading role in the global fight against human trafficking and runs a number of programmes and initiatives that trigger change and empower people globally: free legal assistance, media development, and in-depth coverage of the world’s underreported stories. The Trust Women conference is the main event run and organised by the Foundation.

Microsoft

Microsoft lives to help people and businesses realise their potential. To help them make things and get things done. Lumia mobile devices have long strived to deliver the experience you want, simply and easily. Liberating personal expression, facilitating decision making and task completion, making all communication easy, and fun.

Talenthouse

Our mission is to liberate all artists. We are dedicated to helping them harness the power of their art to inspire, transform and illuminate.

The Trust Women Photo Award

Trust Women is a fast-growing movement to advance women’s rights and to fight human trafficking and slavery. Each year, people from all around the world attend the yearly Trust Women Conference, where they take significant commitments to work together to enhance the lives of women around the world and to fight human trafficking. @trustwomenconf

About this Report

Competitions or appeals seeking submissions of creative works from the public, works such as photos, videos, poems, music, etc., are reviewed by the Artists' Bill of Rights campaign. The reviews are to help you decide whether or not you should participate in the competition or appeal. When you create a work (e.g. a photo) the law automatically makes you the sole beneficiary of certain rights over that work. These rights are called intellectual property rights. Note: Rights for works created in the course of employment are usually owned by the employer (i.e. works for hire).

Rights have a value and you are free to decide what that value is. If a person or organisation wants to use your work to promote something, you have the right to refuse permission or to set a fee for a specific use. More information about intellectual property rights and their value to you can be read in our Guide to Rights & Licensing.

How this Organisation's Competitions or Appeals are Listed

Listed below in order of closing date are the competitions or appeals promoted by this organisation that we have reviewed.  For each we detail how their terms and conditions will exploit your rights. To read our review(s) just click on any competition/appeal title below.

CLICK HERE to see #WomenMakeItHappen; closing date 15 February 2015

#WomenMakeItHappen

TERMS AND CONDITIONS

Talenthouse Terms:

  • By submitting User Content to us, simultaneously with such submission you automatically grant, or warrant that the owner has expressly granted, to us a worldwide, royalty-free, perpetual, irrevocable, non-exclusive, fully sublicensable, and transferable right and license to use, distribute, publicly display, transmit, and publish the User Content (in whole or in part) on or in connection with the Website, the promotion of the Website, and/or the promotion of our clients and/or promotional partners and their products or services.
  • By submitting User Content, you also grant us the right, but not the obligation to use your biographical information including, without limitation, your name and geographical location in connection with your User Content. You waive any and all claims you may now or later have in any jurisdiction to so-called “moral rights” or rights of “droit moral” with respect to the User Content.
  • We reserve the right to display advertisements in connection with your User Content. You acknowledge and agree that your User Content may be included on the websites and advertising networks of our distribution partners and third-party service providers (including their downstream users).

 #WomenMakeItHappen Terms:

  • If you are selected as a winner, then in exchange for a prize, you may be required to license or assign your work to the host providing the prize. If you do not want to license or assign your work in exchange for a prize, an alternate winner will be selected and you will retain copyright in your work.
  • 7. Grant of Rights. By entering the Contest, entrants irrevocably grant the Promoter and Sponsor, its subsidiaries, divisions, affiliates, designees, clients, sponsors, licensees, and advertising and promotional agencies, an unlimited, worldwide, perpetual, non- exclusive, royalty-free, unconditional license and absolute right to edit, post, publish, store, copy, transmit, publicly display, and exhibit, the Work (in whole or in part) in connection with the Contest and/or the promotion of the Contest. Upon the Promoter’s and/or Sponsor's request, winners agree to sign any and all legal forms deemed necessary to license or assign all right, title and interest in and to the Work, including without limitation, all copyrights associated therewith, in exchange for the Prizes set forth above.

Download contest terms here: https://res.cloudinary.com/talenthouse/image/upload/v1/invites/gopcnu0rgvfpmsv9gwxf.pdf

HOW THESE TERMS AND CONDITIONS WILL AFFECT YOU

The following notes explain how the above terms and conditions affect your rights in respect of any works you submit to the above competition or appeal.

  1. The terms and conditions are unclear about how your work will be used. Never submit works to a competition or appeal without knowing how the terms and conditions will affect your rights.

  2. The terms and conditions state that you may be required, upon request, to "license or assign all right, title and interest in and to the Work, including without limitation, all copyrights associated therewith, in exchange for the Prizes set forth above" or forfeit your prize. You may have no control over licensing terms, and if your assign copyright to the Promoter or Sponsor, you will no longer be the owner of your work, legal ownership will be transferred to the organisation. You will not be permitted to use or reproduce your work again without permission from the new owner.

  3. Uploading work to Talenthouse and #WomenMakeItHappen requires you to grant "perpetual and irrevocable" use of your work. Although you will still be the copyright holder you will not be able to request Sponsor or Promoter to remove your work from display or from its sponsor or advertising affiliates, nor will you be able to license exclusive use to another party, if you so choose.

  4. The terms and conditions require you to waive your moral rights. This means you will not be able to object to how your work is used in future, such as it being altered in a manner you may find derogatory, or if it is used to promote a product or cause you find objectionable. You have also lost your right to be credited as the author of your work.

  5. The terms and conditions do not state you will always be credited when your work is reproduced. One of your most important moral rights is that you should be credited as the author of a work whenever it is reproduced.

  6. The terms and conditions state that if you win, or are a potential winner, you are required to complete various additional forms, but the terms and conditions of these additional forms are not displayed on the competition or appeal website. This is like being asked to sign a blank cheque. It is not an acceptable business practice to require you to accept all the terms and conditions when submitting a work but fail to display all the terms and conditions on documents you may at some stage have to complete and sign.

  7. The terms and conditions are granting the promoter and sponsor unlimited use of your work forever. For non-winning works a usage time limit of 5 years or less should be set with usage limited solely to promoting the competition or appeal. It is permissable to use winning works for ever but only in a permanent winners gallery with the sole purpose of promoting a recurring competition or appeal.

  8. The terms and conditions grant the organiser the right to use your work beyond that needed to promote the competition or appeal. Your work will be used for other purposes. Usage of your work should be restricted solely to promoting the competition or appeal. If the sponsor wishes to use your work for any other purpose they should negotiate with you independently of the competition. You should have the right to negotiate an appropriate fee for the specific use they want to make of your work and to set a time limit on such use. You should also have the right to refuse use of your work. For further information on fees and licensing refer to the Introduction to Rights and Licensing.

  9. Entrants work will be submitted to a Facebook gallery. You are then subject to Facebook's Terms and Conditions, in addition to both the Sponsor and Promoter terms! Because of Facebook's limitations on preserving embedded metadata indentifying ownership, your work is at high risk of becoming an orphan work.

For further guidance please read the Bill of Rights for Artists.

SPONSORS

  • Thomson Reuters Foundation, Thomson Reuters Building, 30 South Colonnade, Canary Wharf, London, E14 5 EP, United Kingdom, Contact Us, This e-mail address is being protected from spambots. You need JavaScript enabled to view it Twitter: @TR_Foundation, FB: T.R.Foundation
  • Microsoft, 2 Kingdom Street, London, W2 6BD, United Kingdom, Website, Twitter: @Lumia
  • Talenthouse artworks, 8810 Melrose Avenue, Los Angeles, CA 90069, Contact page for phone or message

Judges

  • Finbarr O'ReillyTwitter: finbarroreilly, https://www.facebook.com/finbarr.oreilly
  • Carla Eid, Twitter: CarlaEid
  • Belinda Goldsmith, Twitter: BeeGoldsmith, This e-mail address is being protected from spambots. You need JavaScript enabled to view it
  • Roger Anis, contact, Twitter: rogeranis
  • Laura Bates, Twitter: EverydaySexism, This e-mail address is being protected from spambots. You need JavaScript enabled to view it (via Everyday Sexism Project)

CONTACT

Email, Tweet, or contact via Facbook the Sponsors, Promoter and Judges and urge them to adopt the principles set out in the Artists' Bill of Rights. Please see the contact information above, under Sponsors and Judges.

Be polite and concise. All the parties are accomplished, well-meaning people. Treat them with respect and they will treat you likewise in return.

The Artists' Bill of Rights campaign depends on your active support, your help will make a difference.

Updated on 2015-02-07 17:03:56

 

About the Artists' Bill of Rights

The Artists' Bill of Rights principles for Creative Competitions

Competitions which meet all the standards set out in the Bill of Rights For Artists do not do any of the following -

  • claim copyright
  • claim exclusive use
  • seek waiving of moral rights
  • fail to give a credit for all free usage
  • seek irrevocable permission to use your work "in perpetuity"
  • add, alter, or remove metadata from submissions
  • seek usage rights other than for promoting the contest and no other purpose. Note that a book, posters, cards, or a calendar are seen as legitimate ways of promoting the contest and defraying costs
  • seek free usage rights in excess of 5 years
  • use the submissions commercially without the entrant's agreement, and such commercial usage is to be subject to a freely negotiated license independently of the competition.
  • make it a condition of winning that an entrant must sign a commercial usage agreement
  • fail to publish all documents on the competition website that an entrant may have to sign
  • fail to name the judges for this or last year's competition
  • fail to explicitly state all the organisations who will acquire rights to the submissions
  • set a closing date more than 18 months after the contest launch date
  • fail to make clear statements of rights claimed and how submissions are used.

We have written an Organisers Guide to the Bill of Rights to help organisers draft terms and conditions that respect the rights of entrants and at the same time provide legal protection for the organiser.

 

© Bill of Rights Supporters Group

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The above text may be reproduced providing a link is given to the Bill of Rights For Artists.

Any text reproduced in italics in this report has been extracted from a competition or appeal website for the purposes of review.

Organisations who would like to be promoted as a Bill of Rights Supporter and have their competitions promoted on the Rights On List can use this contact form. We look forward to hearing from you.