The Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games (VANOC) was the non-profit organization responsible for planning, organizing, financing and staging the 2010 Winter Olympics and 2010 Winter Paralympics. Established on September 30, 2003, about four months after the 2010 games were awarded to Vancouver, British Columbia, it performed these roles with "the mandate to support and promote the development of sport in Canada."
VANOC was led by chief executive officer John Furlong, an Irish-born long-time member of the Canadian Olympic Committee. Its board of directors consisted of 20 members, with seven chosen by the Canadian Olympic Committee, one from the Canadian Paralympic Committee, three each from Canadian and British Columbian provincial governments, two from the City government of Vancouver, two from the Resort Municipality of Whistler, one chosen jointly by the Band Councils of the Lil'wat and S?wx?wú7mesh Nations, and a final director chosen by the other 19 members. Wikipedia
Competitions or appeals seeking submissions of creative works from the public, works such as photos, videos, poems, music, etc., are reviewed by the Bill of Rights campaign. The reviews are to help you decide whether you should participate in the competition or appeal. The only thing you need to understand is that when you create a work (e.g. a photo) the law automatically makes you the sole beneficiary of certain rights over that work (but see note 1 below). These rights are called intellectual property rights.
Rights have a value and you are free to decide what that value is. If a person or organisation would like to use your work to promote something, you have the right to refuse permission, or to set a fee for a specific use and decide how long they may use it. More information about intellectual property rights and their value to you as an individual can be read in our Guide to Rights & Licensing. Listed on the next tab are some competitions or appeals promoted by the above organisation. For each we detail how the organisation's terms and conditions will exploit your rights to their advantage for works you submit to their competition or appeal.
The main aims of the Bill of Rights Campaign are to help everyone understand that their intellectual property rights have a value and to encourage competition and appeal organisers to adopt the standards set out in the Bill of Rights for Artists.
Note 1. Rights for works created as an employee are usually owned by your employer.
Listed below in order of closing date are the competitions or appeals promoted by this organisation that have been reviewed by the Bill of Rights for Artists campaign. To see the review of each competition or appeal just click on its title and a window will open to reveal its details.
The following information is provided for each competition or appeal;
the terms and conditions that impact on your intellectual property rights for any works you submit;
an explanation of how the terms and conditions will affect you and the rights you have in any work you submit to it;
a list of any other organisations sponsoring the competition or appeal;
who you should contact and how to complain to the organisation concerned.
TERMS AND CONDITIONS
By submitting a photograph to VANOC via this website, the submitter acknowledges and agrees with the following:
(i) the submitter grants to VANOC, its licensees, successors and assigns, all necessary authority, right and license to use, without any compensation or recognition of any kind, the submitter's image and likeness for any legal purpose whatsoever including the right to reproduce the photograph in all forms and in all existing or future developed media and technologies, the right to alter, change, edit or crop the photograph or to combine or incorporate the photograph into other works, and the right to use the photograph alone or in combination with other persons or images or bearing the marks and branding of VANOC or other persons;
(ii) the submitter represents and warrants to VANOC that the submitter has obtained the consent and approval of all other persons depicted in the photograph to submit the photograph to VANOC and authorize VANOC to use the image and likeness of such persons upon the terms and conditions outlined herein;
(iii) the submitter releases VANOC and its directors, officers, employees and representatives from any and all claims which the submitter may now or in the future have relating to the reproduction, display or distribution of the photograph; and
(iv) the submitter agrees to indemnify VANOC, its directors, officers, employees and representatives from and against all costs, damages and expenses VANOC may suffer as a result of a claim, action or cause of action by any person depicted in the photograph."
HOW THESE TERMS AND CONDITIONS WILL AFFECT YOU
The following notes explain how the above terms and conditions affect your rights in respect of any works you submit to the above competition or appeal.
The terms and conditions do not state you will always be credited when your work is reproduced.
The terms and conditions are granting the organiser unlimited use of your work for ever. For non-winning works a usage time limit of 3 years or less should be set with usage limited solely to promoting the competition or appeal. Winning works can be used for ever but only in a permanent winners gallery with the sole purpose of promoting a recurring competition or appeal.
The terms and conditions grant the organiser the right to use your work beyond that needed to promote the competition or appeal. Your work will be used for other purposes. Usage of your work should be restricted solely to promoting the competition or appeal. If the organisation wishes to use your work for any other purpose the organisation should negotiate with you independently of the competition. You should have the right to negotiate an appropriate fee for the specific use they want to make of your work and to set a time limit on such use. You should also have the right to refuse use of your work. For further information on fees and licensing refer to the Introduction to Rights and Licensing.
The above may help you to decide not to submit any works to this competition or appeal. For further guidance please read the Bill of Rights for Artists.
To visit the competition website click the competition title above to submit the free image we have created. Note that the competition link may cease to work at some point after the competition results are announced.
You can help the Bill of Rights campaign by complaining to the organiser urging them to change their terms and conditions. If time is at a premium for you we have prepared a complaint email which you can copy and send to the organiser. Alternatively, or as well as, you can submit the free image we have prepared to register your complaint simply by entering the free image to the contest.
Where a contest automatically displays entrants images on the contest website as they arrive you can use the free image to test the competition and determine if it is stripping metadata. The test results can be submitted to a survey by the Controlled Vocabulary Group.
The Bill of Rights campaign depends on your active support, your help will make a difference.
Updated on 25 October 2008
Competitions which meet all the standards set out in the Bill of Rights For Artists do not do any of the following -
We have written an Organisers Guide to the Bill of Rights to help organisers draft terms and conditions that respect the rights of entrants and at the same time provide legal protection for the organiser.
© Bill of Rights Supporters Group
The above text may be reproduced providing a link is given to the Bill of Rights For Artists.
Any text reproduced in italics in this report has been extracted from a competition or appeal website for the purposes of review.
Organisations who would like to be promoted as a Bill of Rights Supporter and have their competitions promoted on the Rights On List can use this contact form. We look forward to hearing from you.
Pro-Imaging is a worldwide support group for professional photographers
who are pro-active in defending photographers rights.